Designing Modern: 1920 to the Present opens Collab's new gallery in the Ruth and Raymond G. Perelman Building with a chronological look at the Museum's collection of modern and contemporary decorative art. On entering the gallery, object platforms joined together and punctuated by four vertical display cases illustrate major movements in design history: Art Deco and the Bauhaus; American and Scandinavian Modern Design; Italian Design; and Postmodernism.

The paintings in this exhibition illustrate the diverse practice of folk artists working in the northeastern United States during the late eighteenth and nineteenth centuries. The selection demonstrates the array of individual styles inspired by different creative environments outside the "academic" art world, from the professional painter trained in a commercial workshop to the self-taught artist or amateur.

For Europeans during the eighteenth and early nineteenth centuries, China—or Cathay as it was sometimes called—was a magical place. This exhibition includes nine Chinoiserie textiles and embroideries from the Museum's outstanding collection.

Showcasing a variety of objects that celebrate the Museum's steadily growing collection of Japanese art, this exhibition features paintings, a display of lacquer vessels, and a selection of contemporary works of art.

From the outset of their joint career, Gilbert and George explored and redefined picture making while bridging the gap between art and life.

Complementing works of art donated to the Philadelphia Museum of Art over the years, generous patrons have also given thousands of books and manuscripts to the Library and Archives. The Library and Archives is showcasing these wonderful treasures in a series of exhibitions in its new home in the Perelman Building.

This exhibition brings together over twenty-five drawings, prints, and watercolor paintings to explore “contemporary” art on the Indian subcontinent over the past century, a period that witnessed dramatic social and artistic transformations.

In this exhibition, the Museum presents masterpieces from its outstanding collection of rarely seen Malla Period art. Vibrant Buddhist ritual paintings burst with energy, a marvelous goddess coyly dances, and golden Hindu and Buddhist sculptures regally invite adoration.

This exhibition includes thirteen examples by leading Southern quilt makers. The collection was formed between 1981 and 1983 while Ms. Torrey was conducting fieldwork on African American quilt-making with Maud Southwell Wahlman.

Drawing from the John G. Johnson’s rich collections in Italian Renaissance painting, which included every region of Italy, this installation consists of 10 rare paintings from late fifteenth and early sixteenth-century Lombardy of which Milan was the capital.

The Museum welcomes two masterpieces made for Philadelphia by two of nineteenth-century America’s finest artists, Thomas Eakins and Augustus Saint-Gaudens. Close contemporaries and friends, they both trained in Paris and traveled in Europe before returning to the United States about 1870 to begin distinguished careers. Sharing a belief in the expressive power of the human body as a subject for modern painting and sculpture, they developed different styles.

In 1772, a group of Philadelphia master cabinetmakers published Prices of Cabinet and Chair Work, a 36-page book listing furniture forms and their decorative variations, retail prices for furniture in mahogany and walnut, and the wages to be paid to the journeymen who made the furniture. This exhibition features furniture that is delineated in the book of prices, including three large case pieces with the three types of tops, or "heads", from least expensive to most expensive: flat, pitch pediment, and scroll pediment.

Kansai Yamamoto is one of the founding fathers of Japanese contemporary fashion. Best known for his work during the 1970s and 1980s, his avant-garde designs are inspired by the colorful Azuchi-Momoyama period (1568-1600) and traditional Kabuki theatre. The exuberant Pop-like quality of his work contrasts with what is today associated with Japanese fashion, Zen-like simplicity and deconstructed silhouettes.

Clay, wood, and paper are essential materials employed for Korean art and craft. They are extremely versatile, allowing for the creation of a wide range of objects, including fine arts, crafts, and wares for everyday use. This exhibition from the Museum's Korean art collection, which spans over 1,500 years, explores the diverse applications of these materials, both in traditional and contemporary arts.